Overview
“the feeling that dessert could be an event instead of an afterthought.”
The Original Kitchen Sink“the shape of a memory that still sits in the background of growing up in New York.”
Big Apple“a place that is both monumental and personal.”
Big Apple“With the spell in place, the sculpture no longer falls, or breaks.”
A Levitation Spell“as much the monument as the ruins themselves”
New Monuments of Chania“the object asks people to reimagine the thing to which it refers”
When haystacks travel, Placing Shape“ask how meaning shifts through context.”
(re)SOURCE“Intermingling the remarkable and the banal”
Suzanne Lacy at Queens Museum“a visual motif for a work-in-progress or the unfinished”
The Main Museum“Signifying ‘more to come’, the colon allows for a deeper rendering of an idea”
UCLA Arts & Architecture“non-possessive by design”
The Bohen Foundation“precise technique presented with an easygoing, unpretentious ease.”
Baby Bistro“The work reflects on how we mark, spend and value time through acts of searching and gathering.”
Ode to Pearl























![installation of several chairs by Shun Kinoshita [Photo by Sergiy Barchuk]](https://images.ctfassets.net/1ghyjb5qi87t/5mqsX1Br6UKNIjgcxh8jiJ/eff0a03241da6cbbeb2aaa34f2f1e23c/_DSC2194-min1.jpg?w=3840&q=75&fm=webp)



!['Mesh 1' Metal, sweet gum balls, paint, epoxy, plaster, cloth, paper 24 x 31 x 50cm 2019 [Photo by Sergiy Barchuk]](https://images.ctfassets.net/1ghyjb5qi87t/5n9aLnab9eL7rkW0sfNfy2/925c876e14f6974c6b2416be959fe8bc/_DSC2168-min1.jpg?w=3840&q=75&fm=webp)

!['Vase 1' Epoxy, ink, plaster, cloth, paper, ceramic 2019 [Photo by Sergiy Barchuk]](https://images.ctfassets.net/1ghyjb5qi87t/3hxXjqwVE8sJGCbGjcaiHf/d6647dfe580171ac4b0cd71d6d5f7180/_DSC2162-min-1.jpg?w=3840&q=75&fm=webp)











































































































































































































































































